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In recent years, I've become keenly
interested in the idea of developing models for small violas; smaller sizes for
children and larger ones either for teenagers or for adults who for whatever
reason don't wish to play a larger viola. It's become something of an
obsession to make 15-inch violas suitable for professional use, and smaller
sizes that are really rewarding to play for the talented and enthusiastic young
viola players I meet.
To this end, I've developed models
of my own design for small violas. There were three basic criteria to
fulfil:
- The instruments should sound
like real violas, with strong and responsive C strings and an overall warmth
and darkness of sound.
- The violas should be light in
weight and easily manageable for small players, with well-shaped necks,
good-quality fittings etc
- Although a handmade instrument
can never compete on price with mass-produced instruments, it was necessary
to find ways of producing these instruments more economically than my larger
violas.
After some experimentation, and
feedback from teachers and young players, I've come up with the following
models. Owners of these violas include Chetham's School of Music who
have bought five small violas to enable all their young violinists to experience
playing the viola; the Benslow Loan Scheme and young players who learn at Junior
Guildhall, Junior RNCM, Junior RCM, the Purcell School, and the choir
school of St George's Chapel, Windsor.
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These violas are an ideal
in-between stage for good young players who are not yet ready for a larger
viola. Since I started making them, I found that petite adult players were
really keen to have this model too, which has been a great incentive to make
them well enough for the sound to be comparable to my larger violas. At
least one viola of this model is now being played professionally.
The same design principles hold as
for the cornerless viola; the weight is minimized by careful attention to the
structure and by making a light head, and I pay a great deal of attention to
choice of materials, arching and thicknessing of the back and front and then all
aspects of set-up to create a really responsive and powerful viola with a
strong, warm C and a flexible sweet A.
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